| Villa on the shore of Lake Geneva. Photo: Grégoire Gardette // KAWS, SEEING, 2022, augmented reality sculpture at Serpentine North. Courtesy of KAWS and Acute Art // Anton and Annick Herbert with Carl Andre’s 64 Lead Square (1969), at the Konrad Fischer gallery in Düsseldorf, 1973. Artwork: © Carl Andre/VAGA at ARS, NY and DACS, London 2022. Photo: Courtesy of Herbert Foundation // Helen Frankenthaler, Grand Tour, 1983. Acrylic on canvas. 246 x 362 cm. Gift of Maureen and Marshall Cogan, New York, to American Friends of the Israel Museum. B85.0936. © 2022 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Photo: © The Israel Museum Jerusalem / Zhao Zhao, Chinese Ladders, 2019. White marble. Variable size. © Zhao Zhao, Tang Contemporary Art / Fang Lijun, 1995.2. Oil on canvas. M+ Sigg Collection, Hong Kong. By donation. © Fang Lijun / Jeffrey Smart, The construction fence, 1978, TarraWarra Museum of Art, Healesville, Gift of Eva Besen and Marc Besen AO 2001. © The Estate of Jeffrey Smart / Caravaggio, The Musicians, 1597. Oil on canvas. 92.1 x 118.4 cm. Rogers Fund, 1952 / 52.81. The Metropolitan Museum of Art, New York / Nasser AlSalem’s installation Amma Qabel at Desert X AlUla. Photo: Lance Gerber, courtesy of the artist and Athr Gallery and Desert X AlUla / Maria Lassnig, Zwei Arten zu sein (Doppelselbstporträt) — Two Ways of Being (Double Self-Portrait), 2000. Oil on canvas. 100 x 125 cm. © Maria Lassnig Foundation |
